Oh, You Make Children’s Books?: How to Answer Those Questions About Kid Lit from the Fam

As a children's author, I hear this all the time, but more frequently around the holidays and especially from family members. Writers and artists get asked this question and more and we aren’t sure how to respond. So, here are some of the scenarios we kid lit artists get and the potential responses you can use.

• Don’t you want to write “real” books?

I get this more from self-proclaimed non-readers, which is odd in itself. But my typical responses are:

SHOCK FACTOR

“Gosh no! Why would I want to do that?” – this is followed by a look of horror, as though they’ve asked me to skydive into an active volcano while blindfolded.

SWEET AND HONEST

“I love kid’s books and nothing else could make me happier.” – Big smile, even when they obviously don’t get it.

SORRY MY MOUTH IS FULL, SO I CAN’T SPEAK

“Mrph mble flrp…” - Pumpkin pie or hors d’oeuvres are great tools.

• Oh, I’ve always wanted to write a picture book. Do you think we could collaborate/you could be my illustrator?

Obviously, I’m only an author, but I bet illustrators get this even more than authors. Possible responses:

SHOCK FACTOR

“Here are my fees (Illustor’s) and did you know a picture book can take two years MINIMUM to produce? Also, I have about five WIPs right now and have no time.”

SWEET AND HONEST

“I started out with just an idea too. You should write your story and if you are serious about traditional publishing, look into the SCBWI. I have too much going on currently to collaborate but I’m happy to point you to some great blogs/conferences/craft books you may like.”

*Here is where you see if they are truly interested in a long game or just ‘always thought it would be fun/easy.’*

SORRY MY MOUTH IS FULL, SO I CAN’T SPEAK

“Hmrph bing mblp…” - That extra roll was just calling my name…

• Why don’t you just self-publish? You could have your book out in a few hours.

I don’t think people realize that it isn’t quite as easy as they believe to self-publish picture books. Possible responses:

SHOCK FACTOR

“You know when you self-publish, and do it well, you have to hire and pay an illustrator (if you are the author only), be the final editor or hire an editor, be your own sales person, marketer, art director, warehouse, distributor and it will be exponentially harder to get your books into chain stores and even indie stores still have to know you exist in order to buy your book. This takes a ton of time away from my creative time.”
-        At this point most people have stopped listening. But self-publishing, especially for picture books that need quality art, is WORK and it isn’t for everyone.

SWEET AND HONEST

“I never wanted the sole responsibility of wearing all the hats a self-published author must wear. Plus, I was always scared that maybe my writing wasn’t as good as I thought it was. By getting through the many, many obstacles in traditional publishing, and working with professionals along the way, I know my work will be the best it can be.”
-        Again, sometimes they stop listening. Not everyone gets my passion for kid lit. And that is OKAY. I don’t always get their passion for cross stitch, hockey, that popular tv show they keep talking about.

SORRY MY MOUTH IS FULL, SO I CAN’T SPEAK

“Worlm rmbl brmpth…” - This method may lead to a shocking belly ache. But those cookies were worth it…

• So, you sold a picture book. When are you going to quit your day job?

The only response:

“HAHAHAHAHAHAHHAHAHA….*BIG BREATH* AHHAHAHAHAHAHHAHA! Oh, oh wait. You were serious?”

It is okay to be awkward and not sure how to answer. Some people are easy to talk to while others make you feel like you are under a spotlight.

Many of us artists are introverts and don’t want to talk about ourselves and our art. Others wave their nerd flag proudly.

Even if you don’t have a book out yet, if you want to talk about your art, your path, and your struggles, then go for it. If you want to avoid it, then play with the dog/cat/baby so you have an excuse for being distracted while others bombard each other with questions.

You can always offer to wash the dishes when you need to run away. Most relatives won’t follow.

Any other great responses to common questions?  Please keep if PG. We write for kids, you know.

Interview with Illustrator Claire Sedovic

Today we welcome illustrator Claire Sedovic. She is the amazing artist who brought the Odd Animal ABC's to life.  Thank you for joining us today. So, inquiring minds want to know...

How did you become the illustrator for Odd Animal ABC’s?

After quitting my job as a graphic designer for a major media company last spring, I began sending postcards featuring my art to potential publishers. Blue Manatee Press was one such publisher whose work I admired, so of course they received a postcard from me. A couple of months later I heard from Amy Dean (Editorial & Marketing Director at Blue Manatee Press) that she was looking for an illustrator for a manuscript she had just acquired and wanted to know if I would like to submit my work for consideration. Of course I said yes, and almost exactly a year later, Odd Animal ABC’s was published featuring my art!

I feel very lucky that Blue Manatee had that postcard! Have you always wanted to illustrate?

Indeed I have. As a child I often wrote and illustrated sequels to my favorite picture books or crafted my own original stories complete with detailed illustrations in marker or paint.

Can you describe your process of taking this story text and developing it. 

I must say I feel very fortunate that you and I were able to correspond as often as we did while I developed the illustrations for the text as I realize now that is not typical of the author/illustrator relationship. I think our collaboration succeeded because I was receptive to the illustration notes you offered, and you were willing to change the text in some instances that I interpreted it a little differently with my illustrations than you expected. As an illustrator, I see my role as someone who can visually fill the gaps in the story. And because this story text is all dialogue (and a lot of humor!) I felt like I had a lot of room to play. 

I started the process by reading the text over and over to get a good feel for the story. I then created thumbnail sketches to determine the flow and layout of the book. Once those sketches were approved I proceeded with the full scale art, but even then, I continued to make adjustments as the story evolved and I received feedback from you and Amy.

I've told lots of people how you helped shape this into a better book. Without some of your requests due to art, I wouldn't have my two favorite jokes in there! 

So there are 53 real animals (and one imaginary unicorn) in this book. Was the large cast of characters a problem?

I wouldn’t say the large cast was a problem, but it was certainly a challenge. I loved researching the different animals to ensure that I drew them accurately, but it took some time to figure out when and were certain animals should reappear in order to drive the narrative along. In some cases, this was already written into the text, but throughout the illustration process I took some liberties to add or omit for visual appeal and to help integrate the ABC letters into the illustrations.

I love the coloring of the letters themselves too. So what do you hope readers take away from this story?

I hope that the book widens kids’ understanding of just how diverse the animal kingdom really is. Of course I hope they laugh along with all the wonderful, and often weird critters as they travel from A to Z, but on a deeper level, I also hope that it sparks new curiosity about the natural world and a desire preserve and protect it for future generations.

That was my hope too. Now, a very important question,
 what is your favorite chocolate or dessert?

How about chocolate dessert?

Where else can readers find you and your art?

You can find more of my work on my website (clairesedovic.com) and follow me on Instagram @clairesedovic.

Wish you were on Twitter more. You are missing some major book love!  Thank you so much for giving life to these odd and amazing animals and for joining us on the blog. Best wishes that your illustrating career is long, prosperous, and full of happy readers!!

So You Have a Book Coming Out: Part Four: Taxes and Deductions

Upfront Disclaimer: I'm not a tax pro or lawyer or anything other than a writer trying to stay organized. This way, I have the information to give to my tax professional.

You, as a published author or illustrator, are now a business. That means there is some not-so-fun things we have to deal with so we can keep writing and creating.

Taxes.

Let's face it. Laws change, the forms are about a million words long, and who knows what we may be missing if you don't have a certified accountant in the family.


I have a certified public accountant. I think they are worth the money, not only for the time it saves me, but the relief from stress and anxiety I have that I may mess something up and having the IRS show up Men In Black style.

+

Whether you are a do-it-yourself-er, or you use a pro, you need to be organized all year long. Not just those first two weeks of April.

You don't need a fancy or expensive program. I use excel.

First: Do you have a home office that is solely used for your business as a writer or illustrator?
If so, this may be tax deductible. That means this little piece of creative heaven may save you a bit on your dues to Uncle Sam. But you have to keep track of some things:

• Your home's TOTAL square footage and the OFFICE square footage. 
• Electric Bill
• Internet Bill
• Gas Bill
• Phone Bill

Then a percentage of you home's bills are what is actually deductible, based on how much space it takes. You have to have the totals for each month. It is easier to keep track of this monthly, rather than digging through old bills, or hunting for your gas company user name and password right before the tax deadline.


You can also deduct business related expenses. Keep ALL receipts and label and organize them. If you get audited, you want everything available and easy to find. I'm talking file folders or binders as opposed to shoe boxes.


Items to track for possible deductions:

• Copies of your books for sales, promotional giveaways, and donations
• Mileage for School Visits 
• Food and Hotels for out of town School Visits or Presentations
• Writer or Illustrator Organization Annual Dues (i.e. SCBWI)
• Classes for continuing your education
• Promotional materials (stickers, bookmarks, pins)
• Website fees
• Author/Illustrator Professional Photos (again, falls under promotional materials)
• Office Supplies
• Art Supplies (for illustrators)
• Necessary Office Equipment: Computer- yes! That mini golf putter thing and fancy espresso maker-no!
• Donations (if you donate a copy of your book, track what you pay, not the retail value.)

There is probably more that I haven't thought of, but hey, I'm new at this.

I keep everything in an excel spreadsheet in summary as well as a sheet for all I am paid:

• Advances
• School Visit Fees
• Speaking Engagements
• Royalties

Again, this is NOT a comprehensive guide. This is just stuff I've figured out on my own this year as a debut author. If you have any questions about your specific circumstances, I recommend finding a local tax pro. Preferably before next April.

So get organized and then get back to writing.

Publishing: The Good, The Bad, Your Perspective

You have a contract. Yay!

Plans and dates change…Crud.

My debut picture book was scheduled to publish on April 2^nd. Due to some issues with the actual printer (no fault of the publishing house, machinery was being replaced) the date was pushed to the 16^th and now to May 7^th.

Luckily for me, the publisher is on top of things and we’ll still have books for all the events already scheduled.

As I told this news to friends and family, they got loud and frustrated on my behalf. But to all my authors and illustrators out there I have a word of advice.

Chill.

Sure, plans changing stinks, but my book is still coming out. Shaking my fist at the sky and cursing the book gods won’t get it printed any faster. Getting upset doesn’t fix anything (although at times it is easy and even stress relieving to stomp your feet and grumble).

Publishing will be full of delays and changes. At school visits there will be technical difficulties. There may be bookstore visits with only one customer or festivals that get rained out. Things happen and you need to know this going in.

Roll with the changes and mishaps as best you can.

Now I have the opportunity, for all of my April visits, to let people know they are getting an exclusive. They can see and purchase Odd Animal ABC’s a month before anyone else. So those children at the school visits get to feel special. Those bookstore shoppers get the jump on the rest of the world. That is pretty cool.

It is all a matter of perspective.

So, you have a children’s book coming out…Part Two – Scheduling Author Visits

You did the work writing…editing…submitting...contracts…editing… and soon your book will be out in the world.

At less than two months before my book birthday I’m starting to work on visits to bookstores, schools, and libraries. But how do you set them up?

Well, you’ve already set up your online platform (even just a super basic website will do) so people can reach out to you. But you aren’t famous yet, so people probably aren’t knocking on your door.

Your publisher will probably make a flyer and/or give you marketing information or supplies. Those of you who are self-publishing
should make one, or have one made. 

It has all the information:

Who – Wrote and Illustrated – June Smalls and Claire Sedovic

What – Humorous picture book about animals and the alphabet.

When – Publication Date: 4-2-19

Where – Can it be purchased – Blue Manatee Press and IPG.

Don’t forget the cover art!

Publishers may also set up some of your author visits. But don't expect them to do all the work. You can and should help with marketing to make your book as successful as possible.

Start small and start local. Is there a local indie bookstore in your area? Walk in, introduce yourself, show your flyer, and offer to do a signing. Many indie stores even work with local schools and may know who nearby may be interested in visits.

What about your co-workers at your day job? Oh, one of them has a sister who teaches first grade? Sweet – get or give contact info. Networking like this can be organic. Work at your own pace and don’t overbook or overwork yourself.

Do you live near the schools you attended as a child? Do you have a child currently in schools with the right demographic for your book? Reach out, contact their teachers or the librarians. You may want to start with free or discounted rates until you are comfortable with your presentations and their value.

Know before you reach out what exactly you are offering. Are you just doing a reading and signing? Do you have a presentation suitable for a small class or a whole auditorium? Have you practiced and timed your presentation, leaving time for questions? Do you use a PowerPoint or props or have art to share?

We can break down what all your author visit can entail, but that is a post for another day.

Once you start a dialogue with your school or store contact, let them know what you need. Also, be prepared for technology to fail. Stuff happens and you may have to adapt.

Agents, Inspiration, and Sales, Oh My!

A while back I posted about how I got my agent. It came down to a combo of good timing, her #MSWL post (which really summed up the type of MS I was just sending out to agents), and just really jiving well with each other.

While we all know Agents sell your work and cheer you on, sometimes they are your source for inspiration.

Back on International Woman's Day, March 8, 2018, Rebecca shot a simple tweet my way.

 

Of course I said, "I love elephants!" and we had a fun little back and forth where, like all highly evolved creatures, we spoke in GIFS and pictures.

 

 

But now I had a problem. I couldn't get this idea out of my head. Like I'd told my agent, I'd done a good amount of research on elephants already for a possible Chapter Book Series. I even went to meet one and interview a caretaker. But did I have enough info? I had only done generic research and it was mostly about captive elephants. Was there a solid story here?

 

I couldn't stop thinking about the elephant I met, the elephant matriarch, and their beautiful and complex family structure.

 

On March 12th, 2018 I emailed my agent a REALLY rough draft and asked, "Should I pursue this further?"

 

Her response was simply, "YES!!! Please pursue this !!!! :-)"

 

So I put everything else I was working on to the side, stayed up way too late watching elephants on the internet, Animal Planet, Net Geo, pulling every elephant book off the shelf at my library and pulling out all my old notes. After fast tracking it to my critique buddies I gave my agent on April 12th.

 

I was so attached to this piece. I lost sleep over it. I reached out to trusts in Africa to have it vetted. I was terrified that she'd say it was all wrong. (Not because she is mean or harsh, but every writer worries their stuff is crap at some point, right?)

 

She read it on April 16th. This is what I got back.

 



OH MY GOSH THIS IS AMAZING AND IT'S EXACTLEY WHAT I WAS WANTING WHEN I SHARED THAT PICTURE WITH YOU!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Okay, I'm done writing

We sent it on an exclusive to an editor who ultimately didn't offer. Then we sent it on its first round of submissions.

Friday, August 3rd, 2018 it went out.

Tuesday the 7th we had interest and they wanted to call and speak with me. Within a month we had another editor who wanted a call. We received multiple offers but we chose to publish with Familius.
That they offered is still a little shocking since I'd never spoken with an editor or publisher on the phone so I nervous giggled for half of the conversation and forgot the English language a few times. Thankfully they still loved SHE LEADS. (Whether or not they think I'm nuttier than a peanut shell... we can't be sure.)

I signed the contract on Friday, September 14th. Six months after my Agent playfully pitched me an idea on twitter.

Agents are more than the person who can get your MS seen at big houses. They are more than a contract translator. They are friends and inspiration and cheerleaders and editors and I for one am thankful!

DISCLAIMER FOR WRITERS AND ILLUSTRATORS: This is not a normal timeframe! Six months is ridiculously fast!!! It took me about three years to sell my first picture book. I've been seriously writing for two to three years prior to that.

SHE LEADS: THE ELEPHANT MATRIARCH will be published in Spring, 2020 by Familius.




How I Got My Agent

So, obviously I am not a great blogger. BUT I have spent the past year really buckling down on my writing. I’ve finished a middle grade fantasy manuscript, polished a number of my picture books, and GOT AN AGENT! But wait, there’s more. I have a picture book under contract with Blue Manatee Press!

I’ve been working towards traditional publication for 5 years. I’ve grown each and every year.

Starting with preachy picture books with long word counts, I didn’t get very far.

I joined SCBWI. Seriously, if you write for kids and want to be a part of a large tribe with education, comradery, and networking, then you should look into The Society of Children’s Book writers and Illustrators.

So I started going to conferences. I met others like me. I met agents and editors and had critiques. I attended classes, webinars, and workshops. I grew as a writer.

At an SCBWI Critique Fest I met my in person critique group. They have been invaluable in helping me hone my skills, question my characters motivation, and most of all, grow as a writer. Recently I've also joined online critique groups.

Highlights Foundation Retreat cabins

At a Highlights Foundation Retreat I really broke down my works, focused on word choice, and page turns and… did yoga and went on hikes and had the best butter I’ve ever eaten in my life… and I grew as a writer (and maybe as a person. I couldn’t stop eating the butter.)

I’d become confident in my writing. I got some likes in Twitter contests, my percentage of personal rejections grew, I applied for, but did not win mentorships, and finally I had some interest from an editor. I reached out to the agents who were currently reviewing my work in their slush piles and from some requests to inform them I had a contract in hand.

I received multiple offers and the decision wasn’t as easy as I thought it would be. There is a ton of pressure and doubt that I think plagues many writers. But the enthusiasm and connection with one agent in particular was too great to ignore. I’m proud to announce I’m represented by Rebecca Angus of Golden Wheat Literary.

I had submitted to Rebecca after seeing her #MSWL about creative non-fiction. She’s already negotiating contracts and guiding me along the process. We already have a second manuscript under review. I hope together we sell a bajillion books and make readers happy.

I want to make it clear. The path was long and ultimately I was discovered in a slush pile. But every path is different and there is no one way to be a writer or to become traditionally published. Just keep pushing and growing as a writer.